Interview with Wings for Life

About 150.00 to 250.000 new spinal cord injuries (SCI) occur each year, primarily caused by road and sport accidents or by a fall. SCI can lead to several different health problems like loss of sensations and paralysis. The Austrian foundation Wings for Life is determined to find a treatment that will help victims of SCI to regain their mobility. The not-for-profit organization was launched in 2004 by two-time motocross world champion Heinz Kinigadner and co-founder of the energy drink company Red Bull, Dietrich Mateschitz. Under the leadership of Anita Gerhardter, Wings for Life has funded 211 SCI projects in 19 countries. The organization was generous to answer some of my questions about its work and projects.

 

RsL: What are some major lessons Wings for Life has learned in the last 15 years regarding the support of spinal cord injury research? What experiences have you gained?

WfL: Medical research is unfortunately a very complex and a not linear process. It needs lots of effort and patience. It is more about finding little components of a huge mosaic for a profound understanding.

Considering that spinal cord research is a pretty young research discipline we have already reached significant milestones. Due to different of our funded research projects we have nowadays a much better understanding of biological reactions after a spinal cord injury. A profound understanding gives us the possibility to think about developing therapies.

RsL: How many grant seekers are contacting you per year and how many of them are getting approved?

WfL: Each year, we receive up to 250 grant applications from scientists from institutions and universities across the globe. The applications then need to pass a strict selection process. This year, we are able to fund 63 cutting-edge research projects.

RsL: Can you describe how the Accelerated Translational Program (ATP) works? Why is such a program even needed?

WfL: We’ve launched the ATP to “translate” more medical discoveries into actual therapeutic treatments for patients. It is needed as there are so many hurdles at the step from basic research to clinical application. This is not only in our case, but in research in general. The ATP supports the scientists to overcome these hurdles with a combination of money, a network of experts from the different fields and the necessary know-how.

RsL: Can you give us an example of a project that has been granted with the ATP?

WfL: One of our ATP studies, STIMO, received recently a great deal of publicity in the press. STIMO is an innovative rehabilitation program. It combines two different treatments: Epidural electrical stimulation, the application of electrical current to the spinal cord, and robot-assisted walking training. The study is still going on, and the final results will be known within 1-2 years. However, early results are very encouraging. So far, three participants have completed the study and all of them saw their functions improve significantly.

RsL: What events (art, sport, …) are you planning the coming years?

WfL: On top of our agenda is – of course – the Wings for Life World Run. It’s our biggest annual fundraising event where hundreds of thousand people all across the globe run for our cause. It’s huge fun and 100 percent of the entry fees go to spinal cord research.

RsL: One of Red Bull’s subsidiary companies is the Terra Mater Factual Studio. Do you have any plans to co-produce TV-shows or movies with them? I know it may sound far-fetched but you should seriously consider it. Think about James Cameron’s science fiction film Avatar, whose protagonist is a paraplegic. The movie earned more than 2.7 billion dollars at the box office. Now imagine Wings for Life and Terra Mater would have produced the movie. The profit could have been used to fund more spinal cord research.

WfL: In fact, we’re very happy that the Red Bull Media House recently produced an inspiring film Any One of Us. It features the professional mountain biker Paul Basagoitia and the candid journey to beat his devastating spinal cord injury. It has been aired already on the first film festivals and will be available to the general audience hopefully end of this year. The movie is dedicated to Wings for Life and we’ll receive proceeds.  

RsL: If you could change or improve anything about the philanthropic sector (in Austria or worldwide), what would it be?

WfL: Traditionally, philanthropy is not as deeply rooted in our culture as it is in the United Kingdom or the U.S. for example. But we’d say that the situation is quite good and there are so many people being generous and doing something for humanity. Especially at Wings for Life we are very grateful that we receive such a great support. The more people support us the sooner we should reach our goal of finding a cure for spinal cord injury.

Thanks to the Wings for Life – Team for answering my questions!

 

For more information:

Wings for Life: Website

Wings for Life World Run: Website

Stimulation Movement Overground (STIMO): Website

Any One of Us: Website

 

 

 

Interview with PETA (Germany)

People for the Ethical Treatment of Animals, better known as PETA, is one of the leading organizations when it comes to animal rights. 400 employees and over 6 million members fight against fur farming, factory farming and animal testing. PETA Germany is celebrating its 25th anniversary – a good reason to ask them about their future plans.

RsL: What PETA projects and campaigns can we expect for 2019 and beyond?

PETA: As long as people continue to use and abuse animals in various ways, we will have to have campaigns to end this exploitation and put an end to speciesism.

RsL: According to WWF’s Living Planet Report 2018, the size of populations of mammals, birds, fish, reptiles, and amphibians has declined 60% in the last 50 years. Has PETA similar reports or figures about the decline of animal wildlife?

PETA: We don`t have our own figures.

RsL: PETA is known for its controversial ads. Your organization knows very well how to use the media to raise public awareness. Do you think PETA should become a media enterprise on its own to further increase its influence?

PETA: No, we don`t want to be a separate media enterprise.

RsL: We are witnessing the rise of online streaming distribution. WWF has produced a documentary series, Our Planet, in partnership with Netflix. Has PETA a similar collaboration planned with any of the streaming services? What is your long-term strategy regarding streaming platforms?

PETA: We currently have no plans for a similar collaboration with any of the streaming services.

RsL: Has PETA ever considered producing fictional feature films with stories regarding animal issues (like Okja)?

PETA: No, not yet.

RsL: If you could change or improve one aspect about the philanthropic sector, what would it be?

PETA: That more people were actually actively philanthropic during their lifetimes, in other words, committed to improving the world with both their personal visions and financial support.  

Thanks to Harald Ullmann, second chairman of PETA Germany, for the interview!

 

For more information click on the links below:

PETA International:LINK

PETA Germany: LINK

 

A Dying World

The Intergovernmental Science-Policy Platform on Biodiversity and Ecosystem Services (IPBES) has published the first intergovernmental report of its kind. 145 international experts from 50 countries and 310 contributing authors have worked on the report.

The overall message is: One million plant and animal species are facing extinction, many within decades! The five major reasons for this dramatic development are: alterations in land and sea use, exploitation of organisms, climate change, pollution and invasive alien species.

“Key indirect drivers include increased population and per capita consumption; technological innovation, which in some cases has lowered and in other cases increased the damage to nature; and, critically, issues of governance and accountability. A pattern that emerges is one of global interconnectivity and ‘telecoupling’ – with resource extraction and production often occurring in one part of the world to satisfy the needs of distant consumers in other regions,” said Prof. Brondízio.

The full report will be published later this year.

For more information go to: IPBES

 

Interview with WWF about upcoming projects and the miserable condition of our planet

For more than five decades, the World Wildlife Fund (WWF) has been a champion for the preservation of natural habitats. Despite WWF’s many successful campaigns and efforts, the current situation of our environment is rather bleak. According to WWF’s Living Planet Report 2018, the size of populations of mammals, birds, fish, reptiles, and amphibians has declined 60% in the last 50 years. The World Wildlife Fund is more than ever dedicated to its mission to protect and restore nature. Reason enough to ask WWF about its upcoming projects and plans to save the world.  

RsL: What WWF projects and campaigns can we expect for 2019?

WWF: Some anticipated projects that you can expect for 2019 are Earth Hour, the launch of Our Planet that is in collaboration with Netflix, and the plastics campaign.

Some information about these campaigns: Earth Hour is the world’s largest grassroots movement for the environment. This year’s Earth Hour focused on raising awareness of the importance of nature. You can find some quick facts about Earth Hour here.

The plastics campaign asks people to sign a petition that asks world’s governments to take action for a UN agreement to end plastics leakage into the seas by 2030.

Our Planet, a Netflix series, is created in collaboration with Silverback Productions and WWF that features jaw-dropping nature stories, grounded in the best science, and highlights the most pressing challenges facing nature today.

The main goal we are working towards is the upcoming “Super year” 2020 where we aim to inspire the world to act to show governments and key decision-making bodies that nature matters and we have to protect it. Based on our goals, we decided 5 pillars that will support it in 2019: Brand revolution, Earth Hour, Education, Living Planet Report, and Our Planet.

RsL: What do you hope to accomplish with Our Planet?

WWF: WWF’s Living Planet Report 2018, released in November 2018, presents the stark reality of the impact humans are having on our planet. The report shows that global populations of vertebrate species have declined, on average, by 60 percent since 1970, due in large part to human activities. We now have the solutions and technology to reverse this trend, which involves a transition to a more sustainable use of the planet’s resources. But it is also clear that continued degradation of our planet is unsustainable and will be to the detriment of humanity, as well as the other species and wild places.

Our Planet shows the beauty and wonder of the natural world, but it also highlights the fragility of the planet and the negative impacts of humankind. It shows a path forward by pointing to solutions, so audiences come away understanding not just the threats that face our planet, but also what we can do to save it. The powerful message it conveys will dovetail with a unique opportunity to call on global leaders to commit to urgent action to protect the one place we call home, sending the clear message that it is no longer acceptable to continue to destroy our environment and that urgent action is needed.

RsL: Documentaries are a suitable medium to raise awareness, but movies are more popular and have a much larger audience. Has WWF ever considered producing feature (theatrical) films with stories regarding environmental issues?

WWF: We are not aware of such considerations.

RsL: In the past, WWF has released charity albums like No One’s Gonna Change Our World and Environmentally Sound: A Select Anthology of Songs Inspired by the Earth. Are any other albums planned for the near future?

WWF: We have no plans as of now.  

RsL: How important are social media platforms like Twitter and Facebook for your campaigns? Which one has proven to be the most effective and gave you the best results?

WWF: WWF has over 25 million social media followers. Social media channels are very important for WWF to reach the right audiences with our conservation campaigns. We have a robust audience journey planned for supporters who join our social media channels.

The channel that will be most effective completely depends on the campaign goals. At WWF we believe in continuous testing to see if the messages are resonating with the audience on that particular social media platform. We like to keep the experience on the social media channel rather than driving people out of the experience.

 

Thanks to Kirmaine Chen and Michael Parsons for the interview!

 

For more information click on the links below:

LINK: WWF

LINK: Plastics Petition

LINK: Earth Hour Facts

LINK: Our Planet

LINK: WWF’s Living Planet Report 2018

LINK: Silverback Films

 

 

The Human Element Official Trailer

THE HUMAN ELEMENT is a new documentary from the makers of THE COVE, RACING EXTINCTION and CHASING ICE directed by Matthew Testa and produced in association with the Earth Vision Institute. You can rent or download the film on iTunes.

The official synopsis:

„With rare compassion and heart, THE HUMAN ELEMENT follows environmental photographer James Balog on his quest to highlight Americans on the frontlines of climate change, inspiring us to re-evaluate our relationship with the natural world.“

Homepage: https://thehumanelementmovie.com/

iTunes: http://radi.al/TheHumanElement

Link: Earth Vision Institute

 

 

Teaching girls martial-arts to combat sexual violence

The Austrian aid organisation SONNE-International is offering young Indian women martial-arts courses so they can defend themselves against sexual violence.

SONNE-International was founded by Chairman Erfried Malle and the Styrian physician Dr. Susanne Prügger in 2002. Their mission is to support education and training to decrease poverty. Their strategy is „to help people to help themselves”. Target groups are children and adolescents, women and underprivileged communities in Bangladesh, Ethiopia, India and Myanmar.

According to their website, their methods are:

  • Partnerships:

„We choose, conceive and implement the projects together with our local partners in a participatory manner. The partners are responsible for conducting the project on site, for writing regular reports, for administering the finances and for carrying out annual audit reports. SONNE-International provides the financial means, administers, controls and evaluates the projects and keeps contact with the funding bodies and with major as well as small donors.“

  • Gender equality: 

„We put particular emphasis on gender equality when conceiving our projects as well as with regard to their execution, administration and management.“

For more information about the organisation and its projects visit the homepage: SONNE-International

 

Any story suggestions?

Because of the overwhelming amount of philanthropic activities and efforts, it can be quite a challenge to find the right story to report about. If you have any recommendations or suggestions what I should write about (news, projects or humanitarian organisation) let me know. Or maybe some of you have an inspiring story to tell how you or somebody you know has improved the world?

Send a mail to: info [AT] readingsaves [DOT] org

 

 

Interview with Greenpeace, Red Cross and UNICEF about philanthropy & entertainment

Money, or lack thereof, is a major concern in the world of philanthropy. The funding process is a challenging and exhausting experience, even soul-crushing. Securing financial support for a charity or development project can decide about life and death. Even if you successfully accomplish the task and gather enough money, another urgent cause will emerge soon after. It is a never-ending battle. The budget and good will of generous donors have a limit, though.

I pitched the idea that the philanthropic sector should adapt to the ways of the entertainment industry by producing and selling movies, video games and books. They are huge moneymakers. Money that could be used to finance development programmes.

I have asked several organisations for their opinion on this matter. Three of them were kind enough to answer my questions:

This interview has been edited for content and clarity.

ReadingSaves: What is your opinion about the partnership between the entertainment industry and your organization?

Mang: Partnerships with the entertainment industry have helped to raise awareness as well as funds for UNICEF. Fame has some clear benefits in certain roles with UNICEF. Celebrities attract attention, so they are in a position to focus the world’s eyes on the needs of children, both in their own countries and by visiting field projects and emergency programs abroad. They can make direct representations to those with the power to effect change. They can use their talents and fame to fundraise and advocate for children and support UNICEF’s mission to ensure every child’s right to health, education, equality and protection.

Marecek: Cooperation with celebrities can definitely raise awareness for certain causes. The Red Cross Red Crescent Movement and many other organisations carry out campaigns with celebrities.

Carretero: At Greenpeace, we have a strong history of working with Key Influencers and have seen time and time again the positive impact they have had on our campaigns and projects. They have helped us to access new channels and platforms, reach new audiences, and have given us the opportunity to test and try a range of innovative projects that otherwise might not be possible.

Key Influencers also strengthen the people-powered campaigning that we do. Their support can have a significant impact on mobilization (for example, boosting petition signatures), which can have a considerable effect on our campaign outcomes. They also help to increase public awareness, typically through attracting major media attention to a campaign or action. Celebrities and influencers can also have major impacts on our fundraising, particularly through making appeals to our supporter bases or even through contributing personally. They can be wonderful incentives for our supporters to purchase tickets to our events, and can introduce us to influential networks of their own, which can help us both programmatically and financially.

Key influencers also help us to influence big decision-making bodies – whether that be world leaders, governments, CEO’s of companies, etc. They can make groups like Greenpeace more relevant, and help to validate the work that we do. They also share our stories and act as a familiar voice that helps to build trust and bring in a range of new audiences. We are incredibly grateful for the influencers we work with and the multitude of others who are supporting charities, as they are using their platform to create real change at a time when it is needed most. They have a very unique ability to really engage people in a deep and meaningful way, and we are so appreciative for what they do.

 

ReadingSaves: Do you think selling entertainment products (books, movies, video games) could help your cause?

Mang: Examples for current partnerships with the entertainment industry: Disney Partnership (Link) and Paddington Movie (Link).

Marecek: The Red Cross is open to cooperate with many industry sectors. Of course partnerships between the entertainment sector and humanitarians have the possible potential to be fruitful. The core competence of humanitarians is to deliver aid to those in need. I think that should be the contribution of the humanitarian sector – also in cooperations with the entertainment industry.

Carretero: While selling products such as video games, movies, toys, etc. can be a great business model for some groups, Greenpeace typically avoids mass production of products, as we believe that there is already enough ’stuff‘ being produced in the world today. We try to incorporate Key Influencers into our story, into our campaigns, and into the every day work we are doing to protect the planet. We have typically avoided selling items or manufacturing products to further engage with influencers or the entertainment industry, but understand that it may work for other organizations.

Christoph Topitschnig

 

Why the United Nations should create an Entertainment Empire

The United Nations needs to create its own entertainment enterprise to sustain future operations.

The Digital Age has changed the way we produce and consume entertainment products. Everything has become faster, cheaper and more global. Digital technologies offer companies and individuals new cost-effective opportunities to develop, publish and distribute creative goods for a global audience. The rise of online companies like Amazon and Netflix is a clear sign for a changing media landscape.

Which leads to the question: Why are organizations like the United Nations not seizing this opportunity to become a major player in the entertainment industry?

Movies, video games and novels should be produced and published by the UN. A part of the net proceeds raised by the sales of these products could be used to finance the UN Development Programmes (UNDP), or programmes of other UN departments like the WHO, UNICEF, UNHCR, WFP,

Here are 5 reasons why the UN should seriously consider this proposal:

1. Entertainment is a lucrative business

The UN is notoriously underfunded. Shortfalls and budget cuts for aid programmes or relief missions have become the norm. At the same time, Hollywood and the rest of the entertainment industry report record earnings. The Disney Company has earned $55.1 billion in total for the fiscal year of 2017. The studio’s entertainment segment made over $8 billion, thanks to Marvel’s superhero universe and the Star Wars galaxy.

Rumors about a possible sale of MGM and Sony Entertainment persist. Even Warner Bros. Studios might be up for grabs, if the AT&T merger fails. The United Nations could buy at least one of them. Just imagine, James Bond, Superman and Batman fighting together under the banner of the UN!

But movies are not the only way to make big money in the entertainment industry. Net revenue for the video game giant Electronic Arts has been over $4 billion for the last couple of years. Author Earnings reports $1.3 billion in E-book sales for the last three quarters of 2017 (US sales only).

The overall numbers suggest a profitable market with potential for expansion.

2. It’s (relatively) cheap

In the beginning, the UN would have to make some serious financial investment to establish itself on the global market, but the gain and the benefits could easily outweigh the risks. If movies and TV shows are deemed to be too expensive to start with, the UN could sell books. Thanks to the digital progress, books can be produced and distributed budget friendly in electronic form. Selling E-Books online would cut the production costs dramatically. Additionally, many well-known books are in the public domain and therefore freely available with no license fee or any other copyright issues attached. The UN would be able to publish stories written by Shakespeare, Jane Austen, Edgar Allan Poe, H. G. Wells and many more.

Even the development of video games has become affordable, thanks to the mobile phone market and a variety of streaming services. Crowdfunding platforms like Kickstarter are popular places to find supporters. While the UN is already using the website for its aid programmes, a different approach could turn out to be more successful in the long term.

Take for example the video game Star Citizen. Star Citizen is a space simulator that raised over $182 million; meanwhile an UN refugee campaign has reached $1.7 million. People would rather spend their money on the development of a video game than a charity project.

3. Increasing awareness and social relevance

Brand recognition is not necessarily something the United Nations has a problem with. Celebrities like Emma Watson are already supporting UN campaigns and social causes. But entertainment products could help the organization to broaden its audience and reach people who normally wouldn’t care about the UN and its mission.

4. The entertainment industry is recession-proof

Depressions or recessions take a toll on the economy. Many businesses are struggling to survive during such troubling times. There are few markets that are not only resilient to a downturn but actually gain from it. The entertainment sector is one of them.

Why?

Because the entertainment industry offers people a distraction and an escape from the cold, harsh world and all its tribulations. Hollywood knows how to sell dreams and illusions to the masses and so should the UN.

5. Achieving Financial Independence

The UN depends on the goodwill of its member states with their flaky leaders and unstable economy. An entertainment enterprise would not only decrease the UN’s vulnerability to unforeseen budget cuts but also secure funding for future peacekeeping efforts. The ultimate goal would be a self-sufficient and financially independent United Nations.

Conclusion:

The United Nations should act decisively and not miss the opportunity to establish an entertainment enterprise. Other NGOs like Greenpeace, Red Cross, WWF or PETA could follow its lead.

People are more likely to spend money on entertainment products than on charity. That certainly doesn’t speak for humanity, but we can use this fact to our advantage. Why should Hollywood be the only entity making profit by selling dreams and fantasies to people all around the world? The philanthropic industry should claim a piece of the pie. It’s time to give the money to those who want to create a just and humane future.

A final word of warning: If the UN decides to enter the entertainment world, avoiding preachy content would be recommended. Building schools in Africa or providing food supplies to war torn areas are certainly important and admirable tasks, but people don’t pay money to watch that in a movie theatre. The audience wants to be entertained, not lectured.

by Christoph Topitschnig

 

About the Author:

  • Studied Film & Media at the University of Vienna.
  • Created the “Austria Alliance”, a short-lived political party.
  • Founder of „Reading saves Lives”.
  • Author of “Endgame – The Tragedy of Kings and Pawns” (eBook, 2018).
  • Contact: topitschnig [AT] lesenrettet [DOT] com

New Year’s resolution

A new year has approached! What is your New Year’s resolution? How are you going to change your life or other people’s lives?

Are you going through a rough patch? Do you know someone that could need your help or support?

It’s time to make improvements.

The United Nations is working with governments, business and civil societies and individuals to achieve the Sustainable Development Agenda by 2030.

More information about the „17 Sustainable Development Goals“ can be found at the official UN Website HERE

You can read the Sustainable Development Report 2017 (pdf) HERE